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Tag Archives: self-publishing

Project Status 8 – Everybody Limbo

Sorry for the lack of articulate and clever prose this time, everyone. I’m just too tired and too stressed for my usual level of quality.

The book is out on Kindle. It WAS out on Createspace/Amazon in print, but when I tried to fix an error in the description it accidentally put it back through the review process. It’ll probably come out again in a few days. Meanwhile, I’m still waiting for Ingramspark to finish its review/pre-media process for the print book – during which time the ebook also cannot be adjusted – and then I need to fix the prices. For some reason the cover image is currently listed as not available, which is another headache. And once it’s all over I don’t even know how to find it in the estores of Ingram’s distribution partners, assuming that all books Ingram publishes do go into their distribution partner’s estores (which I’m not even sure about).

So many things have gone wrong, been delayed, et cetera, that I’m stressed up to my gills and haven’t slept properly in at least a week. (And, apparently, was too busy to notice the sudden development of gills on my person.)

I just want it to be over. But even once it is up I still have to market it and do the legal deposit and and and and… I’m in limbo. The book’s in limbo. It’s like a ridiculous dance party ducking under unexpected bars of difficulty and stomping all over my hopes. Everybody limbo!

UPDATE: Apparently no one in my family told the relatives in the UK that I’d published. That means that the whole one sale I’ve made was not, as I’d assumed, just a relative being nice. If it was one of you readers/followers who bought it: Thank you, I hope you enjoy it. If it wasn’t one of you readers/followers who bought it: That’s amazing because that would mean someone completely unaware of my existence found it and bought it. In that case, I thank you for reading my blog regardless of whether or not you care about the whole yet-another-blogger-being-crazy-enough-to-try-publishing bit.

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Posted by on February 26, 2017 in On L.C. Morgenstern's Work

 

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Author Status 2 – Destructive Distractions

So.

I’ve gone through the proof for my first book, the final cover has been decided and paid for (although the final print cover is waiting on the final formatting). I’m going to publish it within this month. I should be worrying about how it’ll be received.

I’m not. I’m too distracted by other things.

Ars Gratia Artis. L’art Pour L’art.

I’ve always preferred art for the sake of art, although I have always understood that for some artists art is for the sake of social change – warnings, improvements, commentary, etc. Nevertheless, when something in the world sufficiently bothers me I think about writing something to try to stop things from getting worse. The political situation on the other side of the world, in another country to which mine in no way belongs, in another hemisphere, upsets me. I want to write to warn those who do not see danger coming that actually the time to act was months ago, when they merrily sped through the DANGER END OF ROAD signs, but that they might stop complete disaster if they hit the breaks before they reach the actual edge of the cliff …instead of in a few years when they’ve plunged over and into the abyss while wailing that no one warned them this could happen. I want to warn them, even though they have not listened to any previous warnings, if for no other reason that then I can wash my hands of it and say that I tried. It’s not my country, though, so it is not my moral obligation to fix the mess they made.

Thinking about it makes me sick. It gives me nightmares. It brings my mind constantly back to the book in my house which lists all those from a single city, including a whole branch of my ancestors’ family, who did not come back from the camps alive. It reminds me that political prisoners and those who spoke out were the first to be dragged away, and that the world’s main resources for social networking and self-publishing are all trapped in the Silicon Valley – so how long before someone who writes something warning of the dangers gets a target painted on their back?

I have health issues, anxiety mostly. Thinking about politics makes it worse. It keeps me from sleeping and it distracts me from what I want to write about. Do I have a moral obligation to write about it – at the cost of my own health, in a best-case scenario? I don’t think so. I am not the only person in the world who can stand up and do something, and it is not my country. I am not obliged to bail them out at the cost of my own health. Could I write a terrifying tale warning them of things to come if they don’t stop hiding their heads in the sand? Certainly. Would they heed the warning? No. They haven’t heeded anyone else’s so far, so why would a quiet voice from the other side of the world change anything?

The part of me that gets angry – the sense of justice, I suppose – wants to fight, both the political problems and the copyright issues that come from fanfiction (trying to get it justified as “Transformative” so you don’t have to ask permission to write it is basically trying to ignore the author’s right to be recognised as the author, which means recognising their right to control their work).

The part of me that is my pitiful sense of self-preservation argues that I am literally (and I do mean that in the correct sense of the word) making myself ill from anger and I cannot actually change anything anyway, no matter how hard I try. If there comes a day when the fight is something directly related to you, it argues, then fight. For now concentrate on your health and on becoming a successful writer. If nothing else, one day if you have to drag them to court to keep control of your copyrighted material (which isn’t even written and published yet), you can slap the damn transformative works organisation people with the bill for all the anti-anxiety meds you had to take to be able to write while worrying about them possibly succeeding in their hopes of using ‘transformative’ to take control of copyright away from writers (it doesn’t matter if they’re not officially doing that, making fanfiction transformative as a loophole will have the same effect down the line – too many fans on their archive already don’t understand why they shouldn’t make money off copyrighted material and some even link their funding accounts to their fanfiction profiles). “No negative effects on the copyright holder’s ability to make art and money” my arse.

The part of me that is disgusted with humanity in general looks at all the warnings in politics and the arrogance of fan writers who want to make it impossible for artists to say “Don’t make adaptations of my work without my permission” and it says “Just let them get themselves killed. They had warnings. They ignored them. It’s on them now.

The part of me which grieves for humanity and the suffering current events are causing is making it impossible to write for my next project or research for the one after that. I can’t concentrate to write.

The part of me that’s currently keeping me from complete insomnia and regular panic attacks has been hiding out in Glen Cook’s books. That’s also slowing down my writing, but unlike AO3 and politics, it isn’t making me cry and forcing me to take valerian and other such things so that my chest muscles will unclench and I can breathe. I need to get more Garrett, P.I. and Black Company books, The Tower of Fear just isn’t impressing me. It’s nice to see non-Medieval-European fantasy for a change, though, I’d started to think fantasy in non-western settings was a myth.

 
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Posted by on February 2, 2017 in On L.C. Morgenstern's Work

 

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The Ascent of Hassle Mountain

When you’ve finally finished drafting your book and your editor has returned it to you all shiny and untangled, when you’ve paid them and set up your accounts on the various self-publishing platforms you are going to use, it feels like you have fought long and hard but finally, finally, almost reached the top of the great peak of Hassle Mountain and are almost standing at the top of the world – the wind is fresh and cool and you feel as if you could just reach up and touch the stars of Success in the sky above.

You take those last few steps up Hassle Mountain, by contacting a cover person and a formatter, and look up to take in the majestic sight of your finally being at the top of that mountain of complicated and confusing stuff you have to do to get published and

 

…oh, look, another mountain. That one’s called The Greater Hassle and if you look carefully you can see the triplet peaks of Bureaucracy, Confusion, and Financial Difficulties. What you can’t see is the summit. And if you call out to the camp you can see across from you to send you a line so you can zip over? Well, you’re going to be told that you’ll need to head on down to their lower camp on ISBN Point first, and for that you’re going to have to go around the Unhelpful-FAQ cliffs of Bureaucracy’s sheer face to be able to get anyone at ISBN Point to help you.

Good luck not plummeting to your own certain doom while you try to navigate that fucker. The easy part is over, the hard part just beginning. Suddenly those stars you could touch seem so very far away. Don’t forget to breath, though – remember your oxygen tank, because you will need it.

 
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Posted by on January 3, 2017 in On L.C. Morgenstern's Work

 

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Project Status 5 – Cash Strapped and Exasperated

I don’t have the money to get my manuscript – which is WRITING ADVICE – professionally copyedited.

Oh, make no mistake; I’ve had people look over it, but no professional copyeditors. The main edit was content editing and the main person I’ve had to edit it is a second language English speaker – although she’s been speaking the language longer than I’ve been alive. Still…

This whole experience has made me realise not only how complicated publishing is (what the heck is trim size, anyway?) but also how expensive it is. And how the deck is – due to the nature of the beast – stacked against those who simply cannot afford to spend c. 1k on a professional editor, or cover design, or marketing, or formatting (which can easily get up to 3k total!). I mean, even the “cheap” rates of the major publishing platforms like Smashwords and Amazon’s Createspace and Kindle are still ultimately very expensive for anyone who doesn’t have that much, or any, money to spare. And then, of course, books which are not professionally edited, covered, etc, don’t do as well on the market or – worse – give the author a bad reputation. But if I wait to have the money to spare I’ll never get published.

I totally understand why these things are expensive – I mean, my own sibling is an editor and is struggling to find work (and won’t even give me a discount, despite knowing I’m the poorer of the two of us). And the jobs do take a lot of skill and effort.

But it’s frustrating. So is the whole system of formatting, etc, for self publishing sites. Could someone please assume I’m an idiot and explain it in a click this, click that way so I don’t have to get confused by all the options?

I’m still hoping to get this book out before the end of October. All (sure, “all”; like it’s not a huge bleeping mountain of confusing) I have left to do is make the accounts on the necessary websites, format the work, make a cover, and, um… have I missed anything?

Oh why do I even bother asking? It’s not like people understand that there’s a difference between hitting a like button and actually interacting, anymore. I hate like buttons. I have nobody to talk to and the walls can’t hold up a decent conversation. The ceiling’s all high and mighty and the floor’s all down and trodden.

 
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Posted by on October 19, 2016 in On L.C. Morgenstern's Work

 

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